Evangelia Kranioti talks to Kim Laidlaw

Evangelia Kranioti, Los fuegos del sábado, Exotica, Erotica, Etc. series, 2010

Greek-born artist Evangelia Kranioti is already the stuff of legend, taking to the high seas to create her multi-award winning documentary film Exotica, Erotica, Etc.: 450 hours of footage condensed into an intimate 73-minute portrait of sailors and prostitutes, ports and seas. Kim Laidlaw spoke to her to learn more about her epic voyages, the call of the ocean and the ephemeral yet eternal notions of love and desire. Continue reading “Evangelia Kranioti talks to Kim Laidlaw”

Dendrophilia

Photography by Laura Hanifin Night Garden © 2014

The word “Phytophilia” has now been adopted by some in the sexology field to refer to those who have a fetishist or paraphilic interest in plants (i.e., individuals who derive sexual pleasure and sexual arousal from flora). It is an extension of dendrophilia, which is literally a love of trees. Both of these may involve actual sexual contact with trees and plants and their veneration as phallic symbols. Continue reading “Dendrophilia”

Dapper Dan 11

Dapper Dan is back with its 11th issue, in which Andreas Kronthaler talks about being Vivienne Westwood’s right hand man, Katerina Kana delves into the mysterious world of writer and curator Valentinas Klimašauskas, and shoe fetishist photographer Jacopo Benassi lets us in on his passion for slippers. There’s also an essay by Nuno Coelho exploring psychogeography and the urban environments of the future and a look at the work of controversial architect Dimitris Pikionis. Added to this are an article by Lisa Rovner on the trickery and fakery of the art world and an interview with Vasilis Toufexis, the pioneer behind Greece’s boundary-pushing comic magazine, Kolumbra.

Buy online or follow this link for stockist details. Continue reading “Dapper Dan 11”

Maison Martin Margiela talks to Filep Motwary

Photography by Fanny Latour-Lambert

Maison Martin Margiela has existed since 1988, intelligently creating fashion that goes beyond any system required by the industry. The house has proved to be an important antidote to high fashion’s dullness—established or ephemeral— by being true to its own principles: anonymity, conceptualism, artisanship and the power of process, to name a few. The statements are not verbal but designed, and true to Maison Martin Margiela’s visual concerts are its customers and devoted followers, always eager to watch without prejudice. Continue reading “Maison Martin Margiela talks to Filep Motwary”

Ettore Guatelli Museum – Create Wonder from the Obvious

Photography by Luca Campri

There is such a thing as magnificent obsession, in which passion and endless work, free from the restrictions of time, can create incredible expressions that are unlike anything known.

The Museo Ettore Guatelli is a perfect expression of magnificent obsession. Just a few kilometres from Parma, in the heart of the Italian food valley, surrounded by a bucolic landscape, is the museum house of Ettore Guatelli, a rural teacher who built his encyclopedia on the walls of his farmhouse, spending years collecting all kinds of objects whose common value is the stories they tell of the lives of the people who used them. Guatelli collected tangible objects of social life in order to save a fast disappearing civilization from oblivion, at a point in the 20th century that saw interest in material culture spreading in Italy, to create an archive that is completely unlike any other folklore, rural or ethnographic museum. Continue reading “Ettore Guatelli Museum – Create Wonder from the Obvious”

Abstractless Codes: Non-generalised Speech and the Upending of Contemporary Linguistics

If language, and its representational or coding function, makes up the world, or if, as Wittgenstein said beautifully in his Tractatus, ‘Reality is the shadow of grammar,’ what kind of world would we have if we spoke a language that allowed of little or no abstraction, generalization, descriptions of the past or the future? A view of reality that is ‘intensely and only immediate’ seems puzzling and impractical. Yet there are Amazon tribes, notably the Piraha, who speak of and view their experience in just this way. If a man goes around a bend in the river, no observations about him can obtain except for xibipio—he has gone out of experience.’ They use the same phrase when a candle flame flickers—the light ‘goes in and out of experience.’ Continue reading “Abstractless Codes: Non-generalised Speech and the Upending of Contemporary Linguistics”

The Glamour Of The Clandestine

In Dapper Dan’s fifth issue, the media theorist McKenzie Wark dissects the everyday life and glorious times of the Situationists; the visionary designer-turned-artist Helmut Lang talks about his past and future; Eric Isaacson, co-owner of the iconic label Mississippi Records, insists that “it’s still amateur hour round here”; the artist AA Bronson sits down with pirates, Indians, shamans, Nazis, demons and Joseph Beuys; We also visit the engimatic designer Junya Watanabe; the international street-collage gangster Michael Anderson; the charismatic front man Ben Wallers; the quintessential American in Milano, Edward Buchanan; While the writer Angelo Flaccavento muses on presence and absence; and the legendary fashion photographer Hans Feurer talks to Filep Motwary.

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