Katerina Jebb’s way of documenting fashion, the body, garments and objects is a form of immortalizing diverse (or not) aesthetics and contexts as it goes beyond photography, releasing imagery from any notion of perspective. This painstaking digital scanning process re-contextualizes the gaze (our gaze) onto the historic or contemporary artefacts she encounters in such a precise manner that it feels almost like the work of an archivist. It has already been a year since her major retrospective, Deus exMachina at the Réattu Museum in the French city of Arles, which featured 111 works—the biggest monographic exhibition of her work in 20 years. Continue reading “Katerina Jebb talks to Filep Motwary”
