Pierre Hardy talks to Filep Motwary

Photography by Vassilis Karidis

I am having a video call with Pierre Hardy, who is known for the various shifts in colour and shape in his work. He appears on the screen wearing a vibrant orange jumper and during our conversation he reveals his fondness for black at a younger age, how he worked simultaneously for Dior and Hermès in his mid-twenties and how dancing and sports formed the man he has become. Confusing? You bet, but his work is creative, constantly flourishing and continues to be copied throughout the world. Continue reading “Pierre Hardy talks to Filep Motwary”

Sebastien Meunier talks to Filep Motwary

Photography by Marie Déhé

It’s been almost two years since Ann Demeulemeester chose Sebastien Meunier as her successor. Since then, the brand’s atmosphere has moved towards a freshness with a sense of an urgent appeal for a new start. One would expect that a great loss for fashion would follow this enormously onerous transfer of responsibilities, but thankfully, Meunier’s collections are far from being a failure. The clothes are good, the sales are good, the mood is good—and today is a bank holiday in Belgium to boot. Continue reading “Sebastien Meunier talks to Filep Motwary”

Mirko Borsche talks to Vassilis Karidis

Photography by Vassilis Karidis

Dapper Dan visited Mirko Borsche, founder of graphic design studio Bureau Mirko Borsche, at his Munich HQ.

VASSILIS KARIDIS: Were you born in Munich?

MIRKO BORSCHE: I was born outside of Munich, near lake Tegernsee. It is a very beautiful lake—it looks like something from Heidi! The whole area looks like that.

VK: Then you went to study in London?

MB: I went to study in London because I had some police problems in Germany doing graffiti. I really had to leave. Continue reading “Mirko Borsche talks to Vassilis Karidis”

Olivier Rabourdin talks to John Jefferson Selve

Photography by Vassilis Karidis

Olivier Rabourdin is an actor. His face encapsulates the myriad paths of French cinema. He represents both the most niche arthouse cinema and today’s mainstream cinema, characterised by television series. This actor has both a man next door side to him and an unsettling strangeness, thanks to his deep blue eyes, somewhat unexpected or out of place in this face marked with lines that have been lightly and perfectly etched into it over the passage of time. It is in his dulcet tones that he tells us more about himself and his work. Continue reading “Olivier Rabourdin talks to John Jefferson Selve”

Chrisitian Braad Thomsen talks to Kim Laidlaw

Rainer Werner Fassbinder and Christian Braad Thomsen photographed by Rolf Konow

Danish filmmaker Christian Braad Thomsen is a man of many talents, with a CV encompassing feature films, documentaries and books about the silver screen. At the last Berlin Film Festival he showed his documentary, Fassbinder: To Love Without Demands, examining the life and work of iconic director Rainer Werner Fassbinder, who was a close friend of Thomsen’s until his death in 1982. Thomsen took time out from promoting the film to talk to Dapper Dan about his approach to filmmaking, his influences and, of course, the legendary work of his old pal Fassbinder. Continue reading “Chrisitian Braad Thomsen talks to Kim Laidlaw”

Thom Browne talks to Filep Motwary

Photography by Thomas Goldblum

Apart from shaping a new era for menswear, Thom Browne is also a skilled storyteller. It’s considered a true privilege to be invited to his shows because they exceed all expectations. There is no element of risk, as his world is very precise and draws circles around terms like elegance and classic while always managing to raise questions. Such was the case for his recent show where everything was about a gathering, or, more specifically, a funeral. Continue reading “Thom Browne talks to Filep Motwary”

Charles Jeffrey talks to Matthew Hicks

Photography by Kasia Wosniak

The work of Charles Jeffrey came to our attention at his graduate show for Central Saint Martins, where the young designer showed cream Aran knits interrupted with bursts of violent, primary colours, painters’ jeans stiff with layers of spilled and blended pigments and an innovatively sliding sense of proportion provided by a creative use of loose belting. The London-based, Glaswegian-born night owl is also the driving force behind LOVERBOY. He told us more about this event and his designs when Dapper Dan had the pleasure of interviewing him. Continue reading “Charles Jeffrey talks to Matthew Hicks”

Maria Hassabi talks to Kim Laidlaw

Photography by Bill Georgoussis

Cyprus-born, New York-based artist and choreographer Maria Hassabi creates performance pieces exhibited in a wide range of settings around the world—from the streets of Manhattan, to a sports hall at the Venice Biennale, to the Stedelijk Museum in Amsterdam. As bodies navigate these diverse spaces in what sometimes appears to be slow motion—often holding poses with unwavering poise—the spectator finds themself in a contemplative atmosphere, questioning the meaning of the precise movements Hassabi creates, and the paradox of stillness in movement. Here she tells Dapper Dan more about her process and her work. Continue reading “Maria Hassabi talks to Kim Laidlaw”

Luigi Murenu talks to Filep Motwary

“SPHINX”. Rick Owens AW 15/16. Photography by Filep Motwary

Hair can be defined and shaped by the use of hands. Hair can be immortalized through photography, complimented by clothes, makeup, through a story, in a context where instant reality becomes a global fantasy or a fact for the years to come. A champion in his own right, today Luigi Murenu creates fashion via hair styling and photography, and observing him at work is like attending a masterclass. His recent hairstyles for Rick Owens Homme and his photographic stories alongside Iango Henzi make fashion seem to be a game with rules to be broken. Continue reading “Luigi Murenu talks to Filep Motwary”

Andreas Kronthaler talks to Filep Motwary

Photography by Luca Campri

Andreas Kronthaler—Vivienne Westwood’s Creative Director, design partner and husband—is undoubtedly charming, talented and bold. The first time I crossed paths with him in Paris was a few seasons back, on the right bank of the Seine, just outside a tent where Westwood was about to present her new collection only a few minutes later. He was wearing a kilt, knee-high socks and although a sword was missing, he looked as if he had come straight out of an epic movie—one of those films you never forget. Then I saw him again sitting front row at the MMM Artisanal show, two to three seasons ago and his charm was still there, in jeans and shiny curls, big smile and sparkling eyes. Just before the hectic menswear week for fall/winter 2015/16, Andreas shared his thoughts on heroism, unisex clothing and Pope Francis with us. Continue reading “Andreas Kronthaler talks to Filep Motwary”