{"id":3100,"date":"2020-04-27T19:42:54","date_gmt":"2020-04-27T17:42:54","guid":{"rendered":"https:\/\/www.dapperdanmagazine.com\/blog\/?p=3100"},"modified":"2025-10-23T14:56:53","modified_gmt":"2025-10-23T12:56:53","slug":"dapper-dan-21-is-out","status":"publish","type":"post","link":"https:\/\/www.dapperdanmagazine.com\/blog\/3100\/dapper-dan-21-is-out\/","title":{"rendered":"Dapper Dan 21 is Out!"},"content":{"rendered":"\r\n
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What is the psychology behind picking up a habit? Even if it\u2019s bad for you. What is the psychology behind picking up a garment? A cigarette? A scent? A piece of paper? A magazine.<\/p>\r\n\r\n\r\n\r\n

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Who is looking at masculinity? Who is defining it? It is these conversations that drive the philosophy and fashion in Dapper Dan 21.<\/p>\r\n\r\n\r\n\r\n

The new vanguard of considered design and contemplative clothing – Y\/Project\u2019s Glenn Martens, Marni\u2019s Francesco Risso and Jil Sander\u2019s Luke and Lucie Meier – are interviewed by our critics.<\/p>\r\n\r\n\r\n\r\n

Tobias Spichtig\u2019s ghostly forms haunt Balenciaga stores, but he prefers painting. He tells Lara Johnson-Wheeler about collaborating with Demna Gvasalia and the essence of the spooky aesthetic.<\/p>\r\n\r\n\r\n\r\n

Effie Efthymiadi interviews musician Bill John Bultheel, who flirts with different genres, composing for Anne Imhof\u2019s genre-defying performances Angst, Faust and Sex.<\/p>\r\n\r\n\r\n\r\n

Hedi Slimane\u2019s olifactory journal is interpreted by Ruby Redstone. She writes about Parade by Celine: \u2018 It\u2019s a parade in the way that memory is at its best, a trail of all these things long past and ever-present, a rush of blood to the head and down to the heart.\u2019<\/p>\r\n\r\n\r\n\r\n

\u2018You can\u2019t just do something because it\u2019s cool. You\u2019ve got to do something excellent. Do it to the best of your ability. Do justice to the idea,\u2019 Larry Ossei-Mensah, co-curator of the seventh Athens Biennale tells India Doyle.<\/p>\r\n\r\n\r\n\r\n

Ballet dancer Alexander Ekman thinks \u2018having an opinion is so easy.\u2019 But, pausing before his next period of intense creativity, the choreographer makes time to consider this approach, conversing with Luke Forbes.<\/p>\r\n\r\n\r\n\r\n

And Filep Motwary profiles fashion\u2019s matriarch Carla Sozzani. The height of French couture in the 70s, the acceptance of Italian fashion in Paris in the 90s, the Japanese invasion, the Belgians taking over- she\u2019s seen it all. And still, \u2018Fashion is and should be a mystery,\u2019 she says.<\/p>\r\n\r\n\r\n\r\n

Does our dress define us? Our decisions or discussions? Do our memories? Delve into our pages and deliberate.<\/p>\r\n\r\n\r\n\r\n

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