Harry Peccinotti talks to Filep Motwary

Self-portrait © Harry Peccinotti
Self-portrait © Harry Peccinotti

In the visual world, Harry Peccinotti is the epitome of a Renaissance man. As an artist, graphic designer, art director and photographer, he created a distinctive style in the 1960s that feels as fresh as ever— and is as mimicked as ever—today. His work captures women’s bodies and faces in a graphic, almost abstract way that has earned him the nickname “Mr Close-Up”. Despite a career that has spanned the art direction of Vogue, Vanity Fair and Rolling Stone, the creation of iconic title sequences for films including Alfie and Chappaqua, the founding of the groundbreaking magazine Nova, the almost single-handed introduction of models of colour into the fashion mainstream, and photographic commissions from the Pirelli calendar to the Vietnam War, the London-born, Paris-based legend was a bit shy when Dapper Dan visited him at home. Continue reading “Harry Peccinotti talks to Filep Motwary”

Light A Match, Start A Fire: Michael Gira Talks To George Skafidas

Photography by Zach Gross
Photography by Zach Gross

Slow-moving and punitive; visceral and crushing; dour and blatant; repetitive and atonal; never played the same way twice; constantly trans- forming into whatever is next; a process of discovery for its creators as well as its audience: the music of Michael Gira, and in particular his creative output with Swans—the band he birthed, bore, buried and brought back to life over the course of three decades—is disorienting and destabilising. With themes that plumb the depths of human depravity, it even touches on the horrifying. Yet for those who imagine music as a redemptive, transformative, epiphanic experience, Swans occupies a sort of holy space in the artistic cosmos. Continue reading “Light A Match, Start A Fire: Michael Gira Talks To George Skafidas”