“It’s StIll Amateur Hour Round Here” Eric Isaacson talks to Bill Kouligas

Dead Moon "In the Graveyard", MR089, 2011

Much is disputed or simply unknown about the mysterious, iconic label Mississippi Records, but a few facts are clear. Based on Mississippi Avenue in Portland, Oregon, like its namesake record shop, the label has spent most of the last decade releasing and selling fine vinyl-only releases and reissues of roots, gospel and unclassifiable obscurities, alongside essential new music from the lively art-punk scene. Eric Isaacson, one of the three dedicated people running the label, insists, “It’s still amateur hour round here.” We are inclined to disagree, but when J. Spaceman describes Mississippi’s output as “unbelievably beautiful”, who are we to argue? Continue reading ““It’s StIll Amateur Hour Round Here” Eric Isaacson talks to Bill Kouligas”

Sarrasine: Junya Watanabe and the Death of the Author

“My entire body of work should and can best be perceived by observing all of the garments that are presented each season,” the Japanese designer Junya Watanabe says. One of contemporary fashion’s most inventive minds, Watanabe is also one of the shyest. Pas mal: in the era of the fashion designer as tabloid megastar, such a rigorous focus on the clothes alone is admirable. Not that Watanabe inclines to the polemic; he is simply polite and reserved to the point of cryptic silence. Continue reading “Sarrasine: Junya Watanabe and the Death of the Author”

McKenzie Wark in conversation with Ilias Marmaras

McKenzie Wark is an Australian writer whose many books examine hacking, game theory and, most recently, the Situationists. He teaches at the New School for Social Research and Eugene Lang College in New York. Ilias Marmaras is a media artist based in Athens. Continue reading “McKenzie Wark in conversation with Ilias Marmaras”

Helmut Lang talks to Filep Motwary

Dapper Dan has waited two long years for this conversation to take place. The visionary independent designer whose work most definitively embodies the 1990s, Helmut Lang was considered an artist long before he decided to become one. His work as a fashion designer is still relevant, though it’s been almost seven years since he left it to focus on sculpture instead. The designer who refined an era now intrigues us with a new spectrum. Continue reading “Helmut Lang talks to Filep Motwary”